Q&A: Director Frank Whaley on ‘Like Sunday, Like Rain’

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When Eleanor (Leighton Meester) loses her waitress job and dumps her cheating boyfriend (Green Day’s Billie Joe Armstrong), she unexpectedly lands a live-in nanny gig with an unusual charge: 12-year-old musical prodigy Reggie, whose mother (Debra Messing) is extremely wealthy… and not much of a mother. As Eleanor and Reggie (newcomer Julian Shatkin, wise beyond […]

Q&A: Felix van Groeningen on The Broken Circle Breakdown

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When Didier and Elise meet, they instinctually know they have both found their match. While his true love was once was reserved only for American bluegrass music, this fiery tattoo artist plucks away all semblance of the brutish bachelor he once was. They bond over music and culture, and dive headfirst into a sweeping romance […]

Q&A: Dan Geller & Dayna Goldfine on ‘The Galapagos Affair: Satan Came To Eden’

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Darwin meets Hitchcock in this gripping true murder-mystery about European ex-pats in the 1930s searching for utopia on an uninhabited island in the Galapagos. The beautiful yet brutal landscape of Floreana serves as a perfect background for the drama surrounding Dr. Fredrich Ritter and his lover Dore Strauch. Too soon their lives are invaded by […]

Q&A: Caroline Link on ‘Exit Marrakech’

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Exit Marrakech: When 17-year-old Ben visits his divorced dad Heinrich in Morocco for the summer, he realizes his dad is as foreign to him as the country itself. Struggling to reconnect, their old conflicts bubble up and eventually push Ben to leave the luxury confines of his father’s world for the wonders the exotic country […]

Q&A: Whitney Ransick on ‘Misfire: The Rise and Fall of The Shooting Gallery’

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The Shooting Gallery was one of the premier production companies for independent film in the 1990s, responsible for art-house hits like Laws of Gravity, Sling Blade, and You Can Count on Me. After the success of fellow alum Hal Hartley, a cabal of grads from SUNY Purchase decided to start a fast-paced company with a […]